Listening for the music of creation

Listening for the music of creation

A Leonid meteor • Image by Navicore (CC BY 3.0)

Originally published 7 December 1998

The 11 p.m. weath­er report said there might be breaks in the clouds before dawn.

That was enough to make a few of us decide to camp out on the deck of the col­lege obser­va­to­ry. We dragged out lounge chairs, wrapped up in blan­kets, and wait­ed — for the much-antic­i­pat­ed Leonid mete­or storm.

It was a long, cold, damp night. Chris snored away as if he were home in bed. John and I passed in and out of sleep, toss­ing and turn­ing in our dis­com­fort, uncer­tain exact­ly why we were putting our­selves through this misery.

We knew what we hoped for. The Leonids are an annu­al mete­or show­er of mod­est activ­i­ty, but every 33 years they put on a fab­u­lous show, and this was the big year.

The mete­ors are frag­ments of Comet Tem­ple-Tut­tle, which vis­its the inner solar sys­tem every 33 years on an orbit that takes it close to the orbit of the Earth. It is just after the comet has passed by that we are like­ly to expe­ri­ence a mete­or storm, as we plunge through the stream of debris that trails the comet.

The last time Comet Tem­ple-Tut­tle came by, in 1966, observers in some parts of the world saw tens of thou­sands of mete­ors per hour, a once-in-a-life­time feast of celes­tial fireworks.

But we knew the odds were against us. The astronomers who cal­cu­late these things had pre­dict­ed that Chi­na would have the best of it. And the satel­lite pho­to­graph on the 11 o’clock news showed clouds omi­nous­ly backed up all the way to Lake Erie.

But we were game, and even when the driz­zle began we pulled the blan­kets tighter around us and kept our eye on the west­ern hori­zon, from where any clear­ance would come.

But it did­n’t clear, and when the first hint of dawn appeared in the east, we woke Chris, gath­ered our blan­kets, and made our ways home with­out hav­ing seen a sin­gle “shoot­ing star.”

We saw no Leonids, nor did we hear one boom­ing up there above the clouds.

In 1833, peo­ple not only saw a spec­tac­u­lar Leonid storm — up to 150,000 mete­ors per hour — but they also report­ed snap­ping, crack­ling, and pop­ping nois­es, and occa­sion­al booms like can­non fire.

Accord­ing to astronomer Mar­tin Beech, writ­ing in the July 1998 Astro­nom­i­cal Jour­nal, these are prob­a­bly “elec­tro­phon­ic sounds,” cre­at­ed by very-low-fre­quen­cy radio waves gen­er­at­ed by the inter­ac­tion of a vapor­iz­ing mete­oroid with the Earth­’s mag­net­ic field.

Only big and bright fire­balls are like­ly to pro­duce such nois­es, says Beech, objects big­ger than 3 feet across and as bright as a near­ly full moon. Many spec­tac­u­lar fire­balls were seen dur­ing this year’s Leonid event — by observers with clear­er skies than we had — but I know of no reports of sounds.

With or with­out sound, in storms or show­ers, mete­ors are of keen inter­est to astronomers: They bear clues to the ori­gin of the solar sys­tem, and per­haps even to the ori­gin of life.

Near­ly 100 tons of mete­oric mate­r­i­al from space smash into the Earth­’s atmos­phere each day, most­ly in the form of tiny par­ti­cles that are vapor­ized by fric­tion with the air. Larg­er objects can sur­vive pas­sage through the atmos­phere and strike the ground. A mete­orite on the ground is a sci­en­tif­ic bonanza.

This past Sep­tem­ber, a group of Euro­pean sci­en­tists report­ed find­ing mete­or frag­ments incor­po­rat­ed in 1.4 bil­lion-year-old sand­stone from Fin­land. These are far old­er than any mete­oric mate­r­i­al yet dis­cov­ered on Earth.

Amaz­ing­ly, even these ancient par­ti­cles of cos­mic dust are gold­mines of infor­ma­tion about the his­to­ry of the solar sys­tem dur­ing that long-ago epoch.

I recount­ed these tales of celes­tial nois­es and bil­lion-year-old mete­orites to John as we tossed and turned dur­ing our cloudy night on the obser­va­to­ry deck. It helped pass the time.

But the big ques­tion remains: Why had we endured the night in cloud and drizzle?

I’d give the same answer the nat­u­ral­ist Hen­ry Beston gave when asked why he spent a year on the Nau­set dunes of Cape Cod: What we sought was a deep­er sense that the cre­ation is still going on.

Cre­ation is here and now,” wrote Beston in The Out­er­most House. “So near is man to the cre­ative pageant, so much a part is he of the end­less and incred­i­ble exper­i­ment, that any glimpse he may have will be but the rev­e­la­tion of a moment, a soli­tary note heard in a sym­pho­ny thun­der­ing through…time.”

What we sought on the obser­va­to­ry deck was a glimpse of that incred­i­ble exper­i­ment, a note of the sym­pho­ny of con­tin­u­ing creation.

Up there above the clouds frag­ments of a comet made swan dives into the Earth­’s atmos­phere, flar­ing briefly, scat­ter­ing star­dust — anoint­ing the plan­et with the ele­ments of life.

We were dis­ap­point­ed that we did­n’t see (or hear) those bits of comet, but not so dis­ap­point­ed that we would­n’t try again. Even the cold and driz­zle were part of the music of the here and now.

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